Controlroom 16 m² |
Akustisch neutraler Raum mit entsprechendem Design |
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Klimaanlage, Lüftung |
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Grosszügige Sichtverbindung und Gegensprechen zum Recordingroom |
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Tageslicht |
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Recordingroom 34 m² |
Akustisch gestalteter Raum ("schwimmender Boden ") |
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Drum booth |
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Klimaanlage, Lüftung |
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Desk |
Yamaha DM 2000 |
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(Mixdown 96 Channels, Total-Automation) |
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Multitrack |
Harddisc-Recording PC /MAC Audio-Recorder, MIDI-Sequenzer: |
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Steinberg: Cubase SX5, Emagic: Logic Audio platinum 5.1 |
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Pro Tools M-Powered 7.4 |
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Hardware: M-Audio Profire (32-Tracks In/Out) |
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Converters: Apogee Rosetta 800 - 8 Kanal AD/DA 24Bit/192kHz |
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Yamaha DM 2000, Motu 828, Alesis HD 24, Behringer ADA 8000 |
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Tape Recorder : |
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Otari MX-70 / Alesis ADAT sowie HD 24, 24-Tracks , analog/digita |
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Analog/Digital- |
Drawmer S3 Stereo Multi-Band Tube Compressor |
Mastering |
Harddisc-Mastering, PC / Mac: Advanced software: |
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Waves 4.0, T-Racks etc., WaveLab, Jam / Toast (CD-R: Red Book) |
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Digital Editing (VOL, EQ, Comp., De-emphasis, Delay, DC-Offset) |
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Master-Machine |
Tascam DA -30 DAT Recorder |
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Studer Revox A 700, dbx 150X |
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Philips CDR 870 |
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Acoustics & Control- |
Genelec 4030A, Focal Solo 6 |
roommonitoring |
Yamaha NS 10 M Studio |
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Klark Teknik DN 60 Real Time Spectrum Analyser |
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D&R Phase Correlator |
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Studio monitoring |
AVIOM A-16 Personal Monitor Mixing System |
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Tascam MH-40, 2x Behringer HA4700 Powerply PRO-XL, Rolls HA 43 |
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(6 individual stereo headphone-mix) |
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Headphones |
5x Sony MDR-7506, 1x AKG Studio Monitor, |
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10x Sennheiser HD414, 2x Beyerdynamic DT 100, |
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Microphones |
Neumann U87A, 2x KM 84i, RSM 191-S |
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AKG C414 EB, D 12 |
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Rhode Stereo NT-4, NT-5 |
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Sennheiser 2x 441, 5x 421 |
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Shure 2x SM 57, 1x Beta 91, 4x SM58, Beta 58 |
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Audiotechnica AT4033a, AT2020, ATM 11R |
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SE-Electronics SE1A |
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Audix D6, D2 |
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PZM 130 |
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Electro Voice BK 1,RE20 |
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Mic- Preamplifier/EQ |
2x API 512c, 550b (VPR) |
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Rupert Neve Portico 5012 |
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Arsonic The Mik Amp |
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Symetrix SX202 |
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Drawmer 1960 Vacuum Tube Amplifier |
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Converters |
Apogee Rosetta 800 - 8 Kanal AD/DA 24Bit/192kHz |
(Digital-Wandler) |
Yamaha DM 2000, 40 Channels, Motu 828, Alesis HD 24, Behringer ADA 8000 |
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Effects Hardware |
Compressor, Limiter, Noise Gate, De-Esser: |
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Tube-Tech LCA 2B Compressor / Limiter |
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Urei 1176, 1178 Dual Peak Limiter |
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Urei LA-22 Compressor / Limiter / Expander |
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DBX 160SL, DBX160, DBX DDP Digital |
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Drawmer 1960 Vacuum Tube Compressor |
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Drawmer DL 242 Compressor |
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Klark Teknik DN 360 Graphic Equalizer |
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SSL- Duende |
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Digital -hall, - chorus, - delay, - harmonizer, - flanger, etc.: |
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Lexicon 300, Version 3.5. |
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Lexicon PCM 70, PCM 42 |
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Lexicon Alex |
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Yamaha SPX 90 II |
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Alesis Quadraverb |
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Aphex Aural Exciter Type III, Model 250 |
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Effects Software |
Compressor, Limiter, Noise Gate, De-Esser, |
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Digital -hall, - chorus, - delay, harmonizer, - flanger, etc.: |
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Advanced Software: SSL Duende, Waves 4.0, T-Racks, WaveLab etc. |
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UAD-1Studio Pak: 1176LN, 1176SE, LA-2A, Pultec EQP-1A, |
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Fairchild 670, DreamVerb etc. NI-Kontakt 3, Antares Auto Tune |
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Div. Audio |
Studer A 700 (2-Track-Machine analog) |
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Studer Revox B 710 MK II (Tapedeck) |
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Studer Revox (Turntable) |
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Sony TC-K 661S (Tapedeck) |
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Tascam DA-30 (Digital Audio Tape) |
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Philips CDR 870 (Recorder / Player) |
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Instruments |
Drum: |
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Yamaha Stage Custom |
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Drumcomputers: |
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Roland, Yamaha, Alesis, etc. |
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Keyboards: |
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Yamaha DX7 |
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Akai Sampler S 6l2 |
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Akai Professional Audio Midi Trigger ME 35 T |
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Flügel: |
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Schmidt Floor |
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Guitaramps: |
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Carlsbro 100 W Transistoramp. 2 Channels |